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From the start of the show, the band did not stop for over 70 minutes for the first “piece,” an epic of jamming and some of the best pure improvisation I’ve ever seen, fleeting and overlapping elements of electric Miles and Ornette and Zorn and the Dead and the Allmans. There were multiple movements each with its own hero or heroes. Perhaps my favorite occurred when Cline and Lage joined forces, their two guitars seeming to become one free-flowing entity, building from a small hook, slowly climbing measure by measure until they had the whole band in a blissful torrent, a gorgeous, smile-inducing major-key thing that was clearly headed to an ecstatic climax. Martin even set them up with a chugging drum peak, but instead of hitting the climax, both guitars unexpectedly went dissonant, almost as if Nels Cline’s guitar was saying “this ain’t no Wilco show!” review from jambase